Products related to Subjectivity:
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Subjectivity
Explores the history of theories of selfhood, from the Classical era to the present, and demonstrates how those theories can be applied in literary and cultural criticism.Donald E. Hall: * examines all of the major methodologies and theoretical emphases of the twentieth and twenty-first centuries, including psychoanalytic criticism, materialism, feminism and queer theory* applies the theories discussed in detailed readings of literary and cultural texts, from novels and poetry to film and the visual arts* offers a unique perspective on our current obsession with perfecting our selves * looks to the future of selfhood given the new identity possibilities arising out of developing technologies. Examining some of the most exciting issues confronting cultural critics and readers today, Subjectivity is the essential introduction to a fraught but crucial critical term and a challenge to the way we define our selves.
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Obscurer Subjectivity
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Co-Learning in Higher Education : Community Wellbeing, Engaged Scholarship, and Creating Futures
Co-Learning in Higher Education addresses topics critical to the future of higher education: the wellbeing of communities, engagement of scholars supporting new generations of social activists, and the renewal and expansion of educational and career pathways.It develops a theory of co-learning that engages students and professors across generations in partnerships with community organizations, schools, and corporations that solve emerging social and environmental challenges.Collaboratively written cases discuss community projects, engaging pedagogies, and action research projects.These co-cases demonstrate the power of using critical pedagogies and social action within troubling contexts, rather than assuming public policy changes are the only solution.Contributors explore mentoring, discuss pedagogies that promote community wellbeing and equity, address the urgency of change in universities, and reflect on the implications of this chaotic period for empowering social agency among youth in rising generations.This is a timely volume for scholars and students in higher education and educational policy.
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Sense, Nonsense, and Subjectivity
A leading German philosopher offers his most ambitious work yet on the nature of knowledge, arguing that being wrong about things defines the human condition. For millennia, philosophers have dedicated themselves to advancing understanding of the nature of truth and reality.In the process they have amassed a great deal of epistemological theory—knowledge about knowledge.But negative epistemological phenomena, such as ignorance, falsity, illusion, and delusion, are persistently overlooked.This is surprising given that we all know how fallible humans are. Sense, Nonsense, and Subjectivity replies with a theory of false thought, demonstrating that being wrong about things is part and parcel of subjectivity itself.For this reason, knowledge can never be secured without our making claims that can always, in principle, be wrong.Even in successful cases, where we get something right and thereby gain knowledge, the possibility of failure lingers with us.Markus Gabriel grounds this argument in a novel account of the relationship between sense, nonsense, and subjectivity—phenomena that hang together in the temporal unfolding of our cognitive lives. While most philosophers continue to theorize subjectivity in terms of conscious self-representation and the supposedly infallible grip we have on ourselves as thinkers, Sense, Nonsense, and Subjectivity addresses the age-old Platonic challenge to understand situations in which we do not get reality right.Adding a stimulating perspective on epistemic failures to the work of New Realism, Gabriel addresses long-standing ontological questions in an age where the line between the real and the fake is increasingly blurred.
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Is morality shaped by subjectivity?
Morality is shaped by a combination of subjective and objective factors. While there are certain universal moral principles that are widely accepted across different cultures and societies, individuals also bring their own subjective experiences, beliefs, and values to their understanding of morality. This means that while there may be some common ground in moral beliefs, there is also room for individual interpretation and variation. Ultimately, morality is a complex interplay of both subjective and objective influences.
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What is meant by the subjectivity of perception?
The subjectivity of perception refers to the idea that each individual's perception of the world is influenced by their own unique experiences, beliefs, and emotions. This means that two people can perceive the same event or object in different ways based on their personal perspectives. Subjectivity of perception also suggests that our interpretations of sensory information are not purely objective, but are instead shaped by our internal thoughts and feelings. This concept highlights the complexity and variability of human perception.
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What are the subjectivity and injectivity of a matrix?
Subjectivity of a matrix refers to the property of the matrix that determines whether the columns of the matrix span the entire space. If the columns are linearly independent and span the entire space, the matrix is said to be subjective. Injectivity of a matrix, on the other hand, refers to the property that determines whether the columns of the matrix are linearly independent. If the columns are linearly independent, the matrix is said to be injective.
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What is the subjectivity and injectivity of a matrix?
The subjectivity of a matrix refers to the property of the matrix that determines whether the matrix can map every element in its domain to an element in its codomain. A matrix is said to be subjective if every element in the codomain is the image of at least one element in the domain. On the other hand, the injectivity of a matrix refers to the property of the matrix that determines whether the matrix maps distinct elements in its domain to distinct elements in its codomain. A matrix is said to be injective if every element in the codomain is the image of at most one element in the domain. In summary, subjectivity deals with whether every element in the codomain is covered by the matrix, while injectivity deals with whether distinct elements in the domain are mapped to distinct elements in the codomain.
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Music, Subjectivity, and Schumann
The concept of subjectivity is one of the most popular in recent scholarly accounts of music; it is also one of the obscurest and most ill-defined.Multifaceted and hard to pin down, subjectivity nevertheless serves an important, if not indispensable purpose, underpinning various assertions made about music and its effect on us.We may not be exactly sure what subjectivity is, but much of the reception of Western music over the last two centuries is premised upon it.Music, Subjectivity, and Schumann offers a critical examination of the notion of musical subjectivity and the first extended account of its applicability to one of the composers with whom it is most closely associated.Adopting a fluid and multivalent approach to a topic situated at the intersection of musicology, philosophy, literature, and cultural history, it seeks to provide a critical refinement of this idea and to elucidate both its importance and limits.
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Art Therapy in a Learning Disability Setting : Subjectivity and Institutional Life
This book originates from the experience of providing Art Therapy for adults diagnosed with learning disabilities living in an institutional setting.It follows two longitudinal case studies in an attempt to understand dyadic relations in Art Therapy. Representing an important contribution to the history of Art Therapy, especially as it relates to the history of learning disabilities, this book explores past and contemporary discourses and contexts to identify a meaningful, thoughtful approach to the making and reading of images and the client/therapist relationship.It presents the thinking that informed the author’s practice at the time, from both the point of view of the time and its present moment, to contextualize contemporary Art Therapy practice.Through the storytelling of long-term Art Therapy cases with thoughtful investigation, the author explores themes of melancholia, abjection, and alienation, while also creating a depth to current practice.The chapters are richly illustrated, the two case studies are personal and compelling, and the writing is accessible to all readers. The book will appeal to practicing and training therapists of all persuasions, but especially those in Art Therapy or learning disability fields that have an interest in the visual forms of imagining and communicating.
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Lacanian Psychoanalysis : Revolutions in Subjectivity
Jacques Lacan's impact upon the theory and practice of psychoanalysis worldwide cannot be underestimated.Lacanian Psychoanalysis looks at the current debates surrounding Lacanian practice and explores its place within historical, social and political contexts.The book argues that Lacan’s elaboration of psychoanalytic theory is grounded in clinical practice and needs to be defined in relation to the four main traditions: psychiatry, psychology, psychotherapy and spirituality.As such topics of discussion include: the intersection between psychoanalysis and social transformationa new way through deadlocks of current Lacanian debatea new approach to ‘clinical structures’ of neurosis, perversion and psychosis Lacanian Psychoanalysis draws on Lacan's work to shed light on issues relevant to current therapeutic practice and as such it will be of great interest to students, trainees and practitioners of psychoanalysis, psychotherapy, counselling and other domains of personal and social change.
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Consent : Gender, Power and Subjectivity
This book considers the concept of consent in different contexts with the aim of exploring the nuances of what consent means to different people and in different situations.While it is generally agreed that consent is a fluid concept, legal and social attempts to explain its meaning often centre on overly simplistic, narrow and binary definitions, viewing consent as something that occurs at a specific point in time. This book examines the nuances of consent and how it is enacted and re-enacted in different settings (including online spaces) and across time.Consent is most often connected to the idea of sexual assault and is often viewed as a straight-forward concept and one that can be easily explained.Yet there is confusion among the public, as well as among academics and professionals as to what consent truly is and even the degree to which individuals conceptualise and act on their own ideas about consent within their own lives. Topics covered include: consent in digital and online interactions, consent in education, consent in legal settings and the legal boundaries of consent, and consent in sexual situations including sex under the influence of substances, BDSM, and kinky sex.This book will appeal to students and scholars interested in issues of consent from the social sciences, gender theory, feminist studies, law, psychology, public health, and sexuality studies.
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What does the metaphor "poem analysis new subjectivity" mean?
The metaphor "poem analysis new subjectivity" refers to the idea of approaching the analysis of a poem with a fresh and individual perspective. It suggests that instead of relying solely on established literary interpretations, one should bring their own unique experiences, emotions, and insights to the analysis. This metaphor encourages readers to engage with the poem on a personal level, allowing for a deeper and more subjective understanding of the text. It emphasizes the importance of individual interpretation and the recognition that each reader brings their own subjectivity to the analysis of a poem.
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What is the theme in most of the poems of the New Subjectivity?
The theme in most of the poems of the New Subjectivity revolves around introspection, self-exploration, and the individual's inner thoughts and emotions. These poems often delve into personal experiences, feelings, and perceptions, focusing on the complexities of human existence and the search for meaning in a fragmented world. The poets of the New Subjectivity movement aim to express their innermost thoughts and emotions authentically, often blurring the lines between the personal and the universal.
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Is Judaism a world religion?
Yes, Judaism is considered a world religion because it has a global presence and followers in many different countries around the world. It is one of the oldest monotheistic religions and has had a significant impact on the development of Western civilization. Additionally, Judaism has a rich history and cultural influence that extends beyond its origins in the ancient Middle East. Therefore, it is widely recognized as a world religion.
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Why is Judaism not considered a religion?
Judaism is considered a religion by many, but some argue that it is more than just a religion. Judaism encompasses not only a set of beliefs and practices but also a cultural and ethnic identity. It is often referred to as a way of life or a civilization, as it includes aspects such as language, history, and traditions that go beyond traditional religious practices. Additionally, Judaism does not have a central authority or hierarchy like many other religions, which can make it more complex to define solely as a religion.
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